The crust has a purple fringe. A site for working professionals in the TV & Film industry. Round and soft Bokeh is created by the 16-blade T2.8 iris. Sample Videos User’s Production Lens Review. For those looking for minimal focus breathing, these lenses check that box. In the above zoom of a frame, you can see a purple fringe on the baker’s shirt and on the countertop. Again, to reiterate, this is at T2.8 on the Pictor 20–55mm. There were many moments while using these lenses when I would zoom in on a subject and realize I did not need to refocus. Description. View Profile View Forum Posts Private Message Senior Member Join Date Aug 2011 Posts 9,041. In Latin, Pictor means painter and later easel. The DZO Pictor 20-55mm T2.8 zoom lens features a relatively fast maximum aperture of T2.8, parfocal zoom design, and an internal floating group that virtually eliminates focus breathing. The slightly out of focus areas gain a muddiness I am not used to seeing in the out of focus areas of frames taken on any other lens. But while the dampening is great, the gearing itself seems to have a problem. 20-55mm 50-125mm. I haven’t tried them … Continued When writing about the dampening of the gears on the Pictors, my opinion is tempered by my recent experience with the similarly-priced Venus Optics Laowa OOOM 25–100mm T2.9. DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Parfocal Zoom Cine Lens Bundle, PL Mount and EF Mount, Black SKU: DZO71B2BBNDL MFR: DZO-7220001B/2B-BUNDLE 5.0 And the build quality of the OOOM feels cheap with clunky, gritty dampening and a cheap material finish. DZOFilm Pictor 20-55mm Lens VS Angenieux Optimo DP 16-42mm VS Sigma 18-35mm: DZO Film Lenses Review By Film Jams #5 rand thompson. What changed? Cinematographer. Pictor Zoom Series Professional Cine Lens for S35. About DZOFILM Pictor Zoom 20 to 55mm Stimulate more expressiveness. The new lineup of Pictor Zoom lenses from DZOFILM cover Super35/APS-C sensors. DZOFILM Professional Cine Lenses DZOFILM is devoted to exploring the aesthetic of film and design of optics. The effects shown here are lessened when not wide open. Both mechanics and optics are designed to be compact and versatile with a mere 1.6kg (3.5 lbs) weight. The DZOFILM 20-55mm T/2.8 and 50-125mm T/2.8 have 0.8mm pitch gear on the focus and aperture ring, with a … 10-24mm 20-70mm. The smooth anodized black aluminum barrel complements the sharp angles and blocky white and yellow lettering on its surface. DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Parfocal Zoom Cine Lens Bundle, PL Mount and EF Mount, White SKU: DZO71W2WBNDL MFR: DZO-7220001W/2W-BUNDLE 5.0 Find the nearest dealer. It is rough, inconsistent, and frustrating to use. While it was locked down, I racked focus and also did not see any shake. When will they need to be serviced? This will get rid of the bump, but it will not eliminate the audible rattle of the gearing. The zoom gear slows down just a touch on the long end, but the resistance there is not enough to alter my confidence in a shot. On the other hand, where the set suffers optically could be seen as reasons to justify it down the road as some kind of cult favorite on forums and at crafty tables. DZOFILM states the Pictor Zooms floating structure design yields very low breathing and can be negligible during focusing. These zoom lenses are available in either PL or Canon EF mount, they feature a constant T/2.8 aperture through the entire zoom range, and they cover Super35/APS-C sensors. Pictor Zoom Test Demo Pictor Zoom Test Demo 02 Pictor Zoom Test Demo 03 Linglung Zoom Test Demo Chinese lens manufacturer DZOFILM has just introduced not one, but two new compact zoom lens to the new “Pictor Zoom” lineup of glasses: the DZOFILM 20-55mm T/2.8 and 50-125mm T/2.8. Register to extend warranty Had there been threading on the focus barrel, I would have taken off the zoom knob and placed it there to aid in manual focusing without a follow focus. The muddiness makes me think my lenses were dirty, but they were clean every time I checked. The DZO Pictor Zooms are a great, lightweight and affordable pair of cinema zooms that offer great image quality. Users are able to interchange to other mounts through bayonets or adapters. Affordable Super 35 Cine Zooms. The only comparable new lens at the same price point is the Venus Optics Laowa OOOM 25–100mm T2.9 at $5,000. Like what we do and want to support Newsshooter? Now there isn't really a huge amount of affordable cinema zooms around currently, other than the Sigma 18-35/50-100 and the Fujinon MK 18-55 / 50-135, both of which have been very popular choices.. The lenses will be shipped with a PL mount plus an extra EF bayonet in the package. Though in the same plane of focus as the wing, the herbs in it are blooming. I already was unable to use the set on a job because of those characteristics. I kept asking myself, “Can I get by with the Canon L Series set, the 24–70mm F2.8 and 70–200mm F2.8?”. Also, this product does not work with SpeedBoosters. In the below photo, sunlight was pouring through the far side windows. The answer for me was that the creative possibilities and efficiencies allowed by a parfocal lens with low focus breathing are worth the money, though where that money goes, either the Pictors or the OOOM, remains in the air. How can they be serviced? Please Note: Lens is dual marked with Metric and Imperial. A user error? Many charts have been shot by reviewers and discussed at length, so I will not be showing charts here. When editing, I cut out the zooming portion to make the sequence of the two shots look continuous. The 20-55mm focuses down to 2′ and the 50-125mm close focusing down to 2’8″. And rather than opt for build quality, it went for image quailty. The point is they weren’t just taken out to a field or pointed at charts. I thought it would be great because I could attach a follow focus and get some really smooth focus racking. The chromatic aberration on the Pictors is distracting if caught near the subject. Only 4 left in stock - order soon. Getting this kind of continuity on a non-parfocal lens is difficult to achieve because the time it takes to refocus after zooming is enough to make the wide shot and tight shot appear non-sequential when put together. Compared to the OOOM, the Pictors are lightweight. It covers a Super35 image circle, comes standard with a PL mount, and includes an interchangeable Canon EF mount. In a nutshell, the DZOFILM Pictor Zoom lenses feature a constant T/2.8 maximum aperture at every focal length. Maybe, though probably a mix of the two. This is an extremely competitive price for parfocal zoom lenses with a constant T2.8. On that note, these will not be your end-all-be-all lenses. Only 5 left in stock - order soon. The DZOFilm Pictor 20–55mm and 50–125mm T2.8 cinema zooms are unique at their price point. Instead, I have included frames that demonstrate the character. The center of the image and focus are set on the can directly underneath the machine (third can from the right). These lenses have no noticeable breathing. At 3.5 lbs, the Pictor 20-55mm T2.8 Zoom and 3.75 lbs for the 50-125mm are more substantial than a DSLR lens and a touch heavier than a Sigma 18-35mm Cine Lens. $2,289.00. I began to adapt my shooting style so that I could utilize the parfocality more frequently, such as by shooting a 20mm wide shot and then snap zooming in for a 55mm shot. In the market for a cinema zoom lens but on a budget? Focal lengths include the DZOFilm Pictor 20-55mm T2.8 and 50-125mm T2.8, which when combined offer an ample coverage from 20 to 125mm.. Did I notice it when handheld? I don’t usually start an article with the price but the new S35 DZOFILM Pictor Zoom 20-55mm is $2289 T2.8 & the 50-125mm T2.8 is $2489. If you look at this pizza in the below frame, you will see a large smearing of the crust where it should be in focus. The OOOM is sort of the exact opposite of the Pictor set. The Newsshooter forums have just launched. If you draw your eyes from the focus can over to the one on the far left, you can see a gradual reduction in sharpness. More. One (petty) thing I would have liked to see is the inclusion of those threaded mounting points on the focus and iris barrels in addition to the zoom barrel. Creative director. I wanted to see if I could notice the bump from far away while staring at a monitor. Additionally, Erik is an outstanding educator, teaching filmmaking via courses on Linkedin Learning and Lynda.com. If you are gunning to appear bigger on a smaller budget, these lenses could help with that given the flare characteristics. Let’s start by going over the build quality. When the lenses are on a handheld camera, the bumpiness when rack focusing is overpowered by the handheld shake. Just as easels to painters, DZOFILM hopes that Pictor Zoom will serve as more than an “easel” for cinematographers to convey their future stories. I can’t wait to see how they perform. It could be enough to keep those Nikkor primes firmly in a Pelican in your closet (with silica gel, I hope). I tried writing around this so that I could get to the salient features of the set first, but in the end it is easier to just say what has been on my mind: the optical performance at T2.8 is either intentionally tuned for a vintage look or unintentionally poor with heavy chromatic aberration and strange bokeh. I held off on reviewing these lenses because I knew I would be remotely pulling focus with a Nucleus-M setup connected to a remote camera operator using an easy rig. Support. DZOFILM is devoted to exploring the aesthetic of film and design of optics. What also has to be looked at when considering a lens set like the Pictors is diminishing returns. Since this is not where the subject of the frame is (subject: the hands working the dough), it is not as noticeable. I don’t usually start an article with the price but the new S35 DZOFILM Pictor Zoom 20-55mm is $2289 T2.8 & the 50-125mm T2.8 is $2489. The lenses cover an extended zoom range with a relatively fast maximum aperture. Also, both lenses are parfocal, which is incredible at this price-point. The above photo is a shot of the left half of a frame of cans in a beer canning machine. The iris gear is on the looser end compared to the focus and zoom gears. Aside from the gearing issue, the build quality is great. Videos. And having to lug around a rig with rails for those run-and-gun moments when a follow focus is needed is enough to make me consider leaving the lens behind in favor of something smaller. Make your movie. The leftmost can, though it is slightly forward in the field, is more out of focus than the cans closer to the focal point and has a streaky bloom about it.
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