I have the first version MD I with the inscription Rokkor. Good review. That is really a big mistake by my carelessness. My top 3 lenses are now Sigma Super Wide II 24mm, this Minolta, and the CZJ 135mm 3.5 Sonnar. Il est construit comme un tank et semble indestructible, les 2 autres font très plastique en comparaison.Le Sigma est aussi le seul avec un commutateur AF/MF et une bague d’ouverture, Le Tamron est le plus grand, gros et celui qui a le plus grand filtre, L’AF est très bon sur le Sigma et le Tamron, moins sur le Samyang, Background Blur & Bokeh Balls Portraits / Flous d’arrière plan – Ronds de Bokeh Portraits, The Sigma 24mm F3.5 is the best balanced lens with excellent shaprness in the centre (and good to very good corners), super smooth background blur, very good color rendition, very good bokeh balls, minimal distorsion, The Tamron 24mm F2.8 is very close with best sharpness overall (on 61Mpix) and very consistent from centre to corners, best sunstars , little bit less expensive but bulkier , less good build quality and a little bit less soft background blur, The Samyang 24mm F2.8 AF is honest but sharpness is only good, color rendition is less natural and background blur is quite busier, Le Sigma 24mm F3.5 DG DN est l’optique la plus équilibrée avec un piqué excellent au centre (et bon à très bon dans les coins) un flou d’arrière plan très doux, un très bon rendu des couleurs, de beaux ronds de bokeh, et une distorsion minimale, Le Tamron 24mm F2.8 est aussi très bon avec le meilleur piqué sur 61Mpix (consistant du centre aux coins) et les meilleurs effets d’étoiles et un prix moindre, mais avec un encombrement plus important, une moins bonne qualité de fabrication et un flou d’arrière plan un peu moins doux, Le Samyang 24mm F2.8 AF est honnête vu son prix , mais son piqué, rendu des couleur et flou d’arrière plan sont nettement moins bon, The Sigma 24mm F3.5 DG DN Contemporary (530 euros) is a special lens designed for heavy duty job on the field (reportage, street, shoot under the rain…). The Minolta X-700 has the older fully manual SR-mount, not A-mount. f/11: The center is a little less sharp, only the very last few pixels of the corners are unsharp. These cookies do not store any personal information. LA-EA3. At 35mm 98% of the image is very sharp but the far corners deteriorate noticeably. sergr. could you suggest a adapter for this lens ? Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Thank you Marc for your review. -Minolta 70-210 f4 beercan – recently bought with a simple AF-E mount adapter For A-mount the LA-EA4 is the way to go. For build quality however, the MD I version is superior. And have possibility to try it tomorrow. Contrast is a bit lower. I used also capture one same story. Sam. Apparently they often suffer from disintegrated bearings so I was a little hesitant to buy one. A very good lens to have. I want to learn the full capabilities of this lens. L’ensemble semble indestructible , tout en métal et parfaitement ajusté. Flare resistance is better than I expected from a 1980’s zoom lens. It is completely metal made (except for the glass) and the focusing and zooming are very smooth. The following two tabs change content below. As mentioned in the alternatives section, do you think you’ll ever review the Carl Zeiss Vario-Sonnar 3,4/35 â 70 mm or is the minolta cheaper and nearly as good? Are you Using edge enhancement in addition to deconvolution to sharpen your photos? The filter thread is made from metal and the front element does turn when the lens is focused. For street /architecture you gain some corners sharpness if you close at F5.6, Very reliable AF , very nice colors straight out of the camera, The Sigma 24mm F3.5 DG DN Contemporary (530 euros) is a special lens designed for heavy duty job on the field (reportage, street, shoot under the rain…). L’ensemble est fixée très fermement et il faut saisir le capuchon par un renfoncement sur le pourtour du capuchon pour l’enlever. I have just picked up a second type lens in mint condition and shall look forward to using it.Your examples are excellent/Paul. L’optique est fiable , compacte et très discrète ergonomique (bague d’ouverture) et délivre des images naturelles et consistantes. Ce nouveau sigma donne l’impression d’un Voigtländer Apo Lanthar ou d’un Zeiss de la plus belle époque, L’optique est équipé d’une bague d’ouverture avec clics avec une position A qui permet de piloter l’ouverture par le boitier. 0 Zeiss 100mm makro planar f/2, fringing and f stop advice ... Nisi … It is made from plastic, feels solid enough and attaches firmly to the lens. There is some contrast loss when a bright light source is in the image but the images remain usable with minor processing, I have seen much worse. I seem to be getting a lot of ghosting with the K&F MD adapter at 40 to 60mm is really bad 70mm is a bit better and 35mm no issue. And if there is a noticeable filed curvature I mention it, I had a tamron 24 (051) Strong field curvature and the viewing angle does not correspond to 24mm. this minolta 35-70 macro fuction only works at 70mm or it can be used all the way from 35 to 70mm? WeMacro Automatic focus stacking rail; MVE Automated focus stacking rail; Leofoto MP-150 Macro rail; Remote Control. Les coins sont à la traine à pleine ouverture, l’optimum sera atteint à F5.6 ce qui sera parfait pour du reportage ou de la photographie de rue, The competitor for the Sigma 24mm F3.5 DG DN (540 euros) are mainly the Tamron 24mm F2.8 Di III OSD M 1:2 (F051) (450 euros) and the Samyang 24mm F2.8 AF (300 euros), Le Sigma 35mm F2 DG DN (530 euros) doit se comparer aux 2 autres 24 mm compact avec AF que sont les Tamron 24mm F2.8 Di III OSD M 1:2 (F051) (450 euros) et le Samyang 24mm F2.8 AF (300 euros), From a specifications perspective the Sigma the most expensive with the slowest aperture , it is the heaviest. -Sony E 50mm f/1.8 OSS – portrait Comment document.getElementById("comment").setAttribute( "id", "af78fd38c855c5dd23736fc16ada8208" );document.getElementById("h666316870").setAttribute( "id", "comment" ); Necessary cookies are absolutely essential for the website to function properly. I’d like to know if I can use this on a Fujifilm X-T3? Do you have a link or thoughts about a Lens profile in Photoshop for the Minolta gem. I don’t know if it is due to sample variations, I like to hear from other users. We'll assume you're ok with this, but you can opt-out if you wish. No, I don’t have any experience with FD zooms in that focal range. In the center it is hard to tell the difference. Since they are both Minolta MDs, would a simple A-mount to FE mount work? Le piqué est excellent au centre mais les coins gagneront à ce que l’on ferme à F5.6. Even after correcting the distortion for tamron, it still turned out to be closer to 21mm than to 24mm. Customers should note that these are formal Court forms and are provided in PDF format in order to preserve the layout of the original document. ), I think most of your questions are answered in the review. For this I really apreciate your work, this is my favorite blog at the moment. In my experience they degrade the image quality a lot and I would advise against them. Good review sir, I own this lens too and use it with Sony A7, the one with macro mode. The original hood is rather small and protects the front element without adding too much size. I would be very surprised if that Minolta was any better than the cheaper kit lens. Difficult to use for my sunsets and sunrises, rather pronounced flare. But the Pentax K35-105 is made of metal and thus is very heavy, about more than 800g maybe. So globally the build quality is higher than the Sigma Art serie or Sony GM , they feel like Zeiss Legacy lenses or Voigtländer APO Lanthar lenses, The lens is equipped with a click only aperture ring that can also be switched to A= Auto mode to be controlled by the body. Lensbaby 5.8mm F3.5; Dorr 12mm F7.4; Neewer 32mm F1.8; Neewer 35mm F1.2; Meike 35mm F1.7; Meike 50mm F2; KAMLAN FS 50mm F1.1; 安原製作所 12mm F7.4; SLR Magic 35mm F1.7; SLR Magic 50mm F0.95 Hyperrprime; 7Artisans 18mm F6.3 UFO Lens 【広告】カメラのキタムラ 中古クリアランス … Thank you. Appreciate the time and effort invested. For defects: link. The lens is a little (5mm) wider than a typical 1.4/50 lens and 25mm longer. f/5.6: Contrast and sharpness are high across most of the frame now. Would be nice to see a comparison with the Minolta. 【広告】PERGEAR2021年本気の大出血セール. Sirui 1.33x anamorphic lenses … I don’t use any sharpening enhancement at all for my photos. No risk of going from F22 to A mode by accident as you need to turn stronger to switch to A mode. Minolta MD 35-70mm 1:3.5 full resolution samples, Announced: Voigtlander 35mm F2 Apo-Lanthar, Samsung 18-200mm F3.5-6.3 ED OIS Review | Matt Everglade, Sony Tidbits…(Gatorade commercial shot on the FS7) | sonyalpharumors, Manual lenses on the Sony a7 - A beginners guide, Minolta Lenses on the Sony a7 - ratings, impressions and sample images - phillipreeve.net, Samsung 20-50mm F3.5-5.6 II Review | Matt Everglade, Working with the Sony Alpha 7 Tips and Tricks, Auf neuen Wegen (Im Venn II) | Marc Heckert, Sony FE lenses: A comprehensive and independent guide, Guide to Macro Lenses for the Sony a7 series, Beginner’s Guide to Manual Lenses on the Sony a7, Guide to Adapters for Manual Lenses on the Sony a7 series, The Guide to Canon FD lenses on the Sony a7 series, The rated List of Minolta MD/MC Lenses on the Sony a7, A beginners guide to landscape astro photography. Will work on any NEX mount camera. Previous Post Minolta MD 50mm 1:2 Review Next Post Canon new FD 50 mm 1:1.4 Review 87 thoughts on “Minolta MD Zoom 35-70mm 1: 3.5 – Review” Pingback: Samsung 18-200mm F3.5-6.3 ED OIS Review | Matt Everglade Thanks for the review, i could like to use this MINOLTA MD ZOOM 35-70MM 1: 3.5 on my canon camera which is EF mount. Do you re-focus the lens when testing the corners? I have Sony a7rII. No risk of going from F22 to A mode by accident as you need to turn stronger to switch to A mode. All for a tidy £49 off ebay. In comparison with “modern ” lenses I think a plasticky feeling is not the problem here. Thank you, so is there any use for it at all ?? and if yes i need an adapter ? It offers very reliable performance , excellent ergonomics in a very compact size and is very discrete if you work in a unsafe place, with very good results straight out of the camera and very good soft background blur for close shots (min focusing distance <11cm), It is not a lens for the casual shooter that will prefer the Tamron 24mm F2.8 (450 euros) that offer a better aperture and better sharpness on 61Mpix and a bit more creative possibility thanks to it F2.8 aperture but with not at all the same build quality and ergonomics, Le Sigma 24mm F3.5 DG DN Contemporary (530 Euros) est une optique destiné au reportage dans les conditions difficiles. Unfortunately no button to switch it to clickless like on the, AF is very fast accurate and silent both in photo and video, 2.2 Vignetting , chromatic aberrations , distorsion, flare, sunstars, Vignetting is quite important at F3.5 and decrease progressively but it still present at F8, Distorsion is automatically corrected in Lightroom, The level of CA is moderate, but you can get some in direct sun, Resistance to flare is good but you can get some in direct sun, The sunstars obtained are ok but not super well defined, There is not yet a Lightroom Lens profile for this lens but this should come soon, Although the aperture is slow , thanks to its very short minimum focusing distance you are able to create some bokeh effects, The Bokeh balls are very good : well circular at F3.5, you start to see an heptagon at F5.6, The background blur is excellent : very soft, Very good results in term of Sharpness, Bokeh, background blur smoothness and color rendition in video, very nice rendering for street or architecture photography, It is a pity we can not switch the aperture ring to clickless, The competitor for the Sigma 24mm F3.5 DG DN (540 euros) are mainly the, The Tamron is the lens with the best sharpness across the whole frame , The sigma is similar in the centre but has has less good corners, The Sigma 24mm F3.5 DG DN has the softest background blur + best bokeh balls, followed by, The color rendition is very good on the Sigma and the Tamron, less on the Samyang, The Tamron is the one with the worst distorsion but fortunately Lightroom lens profile is correcting it in automatically, CA is present on all of them but Sigma is the best one for that. The Sigma has been shown to have a sizeable pincushion distortion by other reviewers. ... Industar 50mm f3.5 50-2 Review. The series includes already 4 lenses. I see in your review for the Novaflex you have coated a cheap adapter with something, can you recommend anything. Cette une optique indestructible qui survivra à votre boitier ! Hello, Did you use a tripod when taking those macro shots with the NEX? the field of view would be different and the image will be less sharp in the center but a tad better in the corners at 35mm. -Sigma 19mm f/2.8 dn art – commons landscapes not very wide the macro only works at 35mm. The lens has 7 straight aperture blades. Ghosting is very well controlled. Le flou d’arrière plan est également très doux pour les photos rapprochées (distance min de mise au point très courte <11cm), Ce n’est clairement pas l’optique pour un amateur qui lui préférera sans doute le Tamron 24mm F2.8 (450 euros) qui offre un piqué plus consistant dès la pleine ouverture et un peu plus de possibilité artistiques grâce son ouverture de F2.8, mais on a pas du tout la même qualité de fabrication ni la même ergonomie. and if yes what is the appropriate? Ed. Apology accepted. The sunstar makes me sure that I am right and they are wrong. As I see you published it already before you had my answer. It’s also nice to see more portrait oriented photos of people! You need to be aware that at f/3.5 contrast isn’t very high and bokeh a bit rough.It is a good choice when you need a light lens and some flexibility. I didn’t see see Rokker in the pics so hopefully is ok. I also have the Jupiter 9 which isn’t sharp at all. I bought on Ebay two used lens, one version 2 the other ver 3. Phillip, I found this lens with my father’s old Minolta X-700 and I’m excited to use it with my new Alpha 7 II, but I’m also interested in picking up the 80-200mm “Beer Can” Minolta. It offers very reliable performance , excellent ergonomics in a very compact size and is very discrete if you work in a unsafe place, with very good results straight out of the camera and very good soft background blur for close shots, It is not a lens for the casual shooter that will prefer the, (450 euros) that offer a better aperture and better sharpness on 61Mpix and a bit more creative possibility thanks to it F2.8 aperture but with not at all the same build quality and ergonomics, Excellent to outstanding centre shaprness, Optimal results centre to corners achieved at F5.6, Compact , discrete and light (even if more heavy than competitors), Distorsion entirely corrected in built in profile, Moderate level of CA (but better than the Tamron and Samyang), Vignetting at F3.5 that does not disappear completely at F8, Magnetic lens cap is a good idea but is not compatible with the lens hood. Just Picked up a Pentax 35-105, F3.5 (often referred to as a stack of primes)to compare to this lens and the Pentax seems to be a good bit better at 35 and the same at 70….. You will certainly have a narrower field of view (50-100mm eqivalent). After seeing your shots with the same lens on the A7, I’m very excited to try this out. If you are interested in manual lenses a Sony a7-series would open many possibilities. i haven’t seen yet a review on full frame A7. I have the AF version and i’m thinking of getting an adaptor for my A7, do you know any decent adaptors AF to nex (but only for MF ). To learn about manual lenses in general this beginners guide for a7 users might be helpful. Stay away from the first “Rokkor” version. I have it mounted on a Sony NEX-6. I was just reading another forum discussing this lens in 2014 and saw many of your beautiful flowers taken in macro mode with NEX 6. But please ask me next time before you even translate an article. Hello Sigma innove avec cette nouvelle série I avec en plus du traditionnel capuchon d’objectif , un nouveau capuchon magnétique tout en métal qui se clipse par aimantation sur l’objectif. 87 % Fujifilm X-S10. i found only very few reviews in the net, and mostly ken rockwell does praise this lens quite high. They also have a line of Cine lenses in the PL, E and EF mounts that you could adapt to Fujifilm. The focusing ring travels around 10 degrees from 80cm  to 1m and a further 90 degrees to infinity. CamFi Pro – Wireless camera controller; Hähnel Captur Triggers; SmallRig. These cookies will be stored in your browser only with your consent. I really enjoy this article and could I translate it into Chinese and post on my blog for non-commercial use? En effet quand la pare soleil est fixé , impossible d’accéder au bord du capuchon pour l’extraire et l’ensemble tient tellement bien qu’on ne peut l’enlever sans démonter le pare soleil, The tests were made on a Sony A7RIV with its 61Mpix, Les tests ont été effectués sur un A7RIV avec ses 61Mpix, The performances are excellent in the centre and become outstanding as soon as you close by one stop. So if you don’t like the plasticky feel of the later versions you’ll be surprised by the feel of the ‘original’. https://flic.kr/s/aHsku4Ezdf. 5. Performs well on my A7iii and A6000. I compared it with Canon ef24is, nfd24, and Voitlander 21/3. The Minolta MD 35-70mm 1:3.5 is a versatile lens, because it performs so well it can replace 2 or 3 primes and make your bag much lighter. I wonder what the different sensor size on M43 compared to Sony a7 would be as far as some of your tests like in corners. dear phillip,i would like to ask what do you think about the Minolta AF 35-70 /4 (1985-ish) in comparison with the MD 35-70. Thank you for the answer.My ideea is to test and to learn to use a few manual cheap and good old lenses on my Sony A6000 camera before to switch to a A7II(and keep the manual lenses) in the future. Based on my subjective assessment of the Sony 50mm 1.4 on the A7r ii, I see a loss in centre sharpness at f4, with deconvolution sharpening, then at f5.6. Any ideas of MINOLTA MD ZOOM 24-35MM 1: 3.5? Since there is only a small price difference between the second and third version I would recommend to buy the third version because of the handy 1:4 Macro mode. f/5.6: Center and midframe region are very sharp, the corners are sharp. The longer answer: There are adapters from SR-mount to EF with an optical element which act as a 1.2, 1.4 or 1.5 teleconverter. Could be good, could be bad; this review of the Minolta won’t tell you anything about it’s performance. But said that dont work with A7R2 ð , do you any adapter for R2? Please read my about lens ratings page to understand how the ratings are to be read.. All ratings are based on my experience with these lenses on my fullframe Sony Alpha 7.. The Sigma 24mm F3.5 DG DN is part of the new I Series of Sigma of High quality compact lenses. Contrast is good. Sony PZ E 18-105mm F4 G OSS on a full frame, Lensbaby Composer Pro II with Sweet Optics, Petzval 80.5mm F1.9 Mark II, Bokeh Control, APO-Makro-Plasmat 105 f2.7 by Meyer Optik, Primoplan 58mm F1.9 by Meyer Optik Görlitz, Samyang 35mm F2.8 AF (vs Sony Zeiss 35mm F2.8), Laowa 105mm F2 T3.2 STF (Smooth Trans-Focus), Which Lenses are best for A6xxx – Part 1 : Introduction & Summary, Sigma 16mm F1.4 DC DN Contemporary (APS-C), Sony Wireless Triggers FA-WRC1M & FA-WRR1, Hähnel NP-FZ100 chargers for A7III,A7RIII, A9, Haida Rear ND Filters for Sony 12-24 F2.8 GM, Kase Clip-in filters for Sony Full frame cameras, Kase K150P filter holder kit for Sony 12-24 F2.8 GM, NiSi S5 filter holder for Sony 12-24mm F4 G, NiSi S6 filter holder for Sony 12-24 F2.8 GM, SmallRig : L-shape wooden grip for Sony RX100, SmallRig : 6 solutions for mounting your external screen, iShoot Arca Swiss Tripod lens collar foot, Leofoto LS-324C Ranger tripod with LH-40 Ball Head, Leofoto LX-254CT Urban tripod with XB-32 Ball Head, Leofoto LS-223C small tripod + LH25 ballhead, Leofoto MP-285C Monopod + base VD-02 + head VH-20, Leofoto base & clamps : LB-68 / LR-50 / RH-1L / DC-38Q / SC-50, Leofoto UC-01 – Umbrella clamp for tripod, Sigma 45mm F2.8 DG DN Contemporary for Sony E mount test/review on Sony Alpha Blog, シグマ「24mm F3.5 DG DN | Contemporary」交換レンズデータベース | とるなら～写真道楽道中記～, シグマ「24mm F3.5 DG DN」は優れたボケとビルドクオリティが強みのレンズ | とるなら～写真道楽道中記～, Distance minimale de mise au point : 10.8 cm, Capuchon d’objectif standard et un autre magnétique inclus, L’AF est très rapide, précis et silencieux en photo et vidéo, L’AF sur les yeux et le tracking fonctionnent parfaitement, Le vignettage est important à F3.5, il diminue mais est toujours présent à F8, La distorsion est automatiquement corrigée en Lightroom, Les aberrations chromatiques sont faibles mais présentes face au soleil, La résistance au flare est bonne mais on peut en avoir face au soleil, Les effets d’étoiles obtenus vers F16 sont corrects mais les étoiles ne sont pas super bien définies, Il n’y a pas encore de profil Lightroom pour cet objectif mais cela ne saurait tarder, Bien que l’ouverture est faible , grâce à la distance minimum de mise appoint très courte on peut créer de beaux effets de bokeh, Les ronds de Bokeh sont très bons: bien circulaires à F3.5, on voit ponter un heptagone à F5.6, Le flou d’arrière plan est plaisant et très doux, Le rendu des couleurs est très bon et naturel, Très bon résultats en vidéo avec un excellent piqué, très beau flou d’arrière plan très doux, de beaux ronds de Bokeh et un très bon rendu des couleurs, globalement très bon pour de la photo de rue ou d’architecture, très bon AF, C’est dommage que l’on ne puisse pas commuter la bague d’ouverture pour avoir du “sans clics”, Le Tamron est l’optique la plus piqué sur tout le champ. trying to get one, why the nikkor version should be avoided ? This 35-70 is a little softer out towards the edges at 35mm, but still better than my Flektogons. The NiSi 15mm f/4 lens has now been announced. You activate a switch and turn the zoom ring behind the 70mm marking and the image is magnified. NISI CLOSE UP FILTER. At  f/3.5 bokeh is a bit distracting because blur circles have a defined brighter edge. I have the Minolta 35-70mm and 70-150mm but I’m also thinking of getting Contax Zeiss 35-70 and 80-200mm as well, do you think it is worth it? The series includes already 4 lenses, Le Sigma 24mm F3.5 DG DN fait partie d’une nouvelle ligne d’optique chez Sigma la Série I qui a pour but d’offre un très haut niveau de qualité dans un format compact. I don’t see much info online. This website uses cookies to improve your experience. Significantly less cost, but is the Contax vastly superior sharpness? Thanks for all your articles! Gen. or maybe some tips what search for (some defects or maybe some versions are bad? Maybe the Minolta 35-70 F3.5 it's a good choice or two primes for a normal focal range. It is also the only one with a MF/AF switch and an aperture ring with click, The Tamron is the biggest in length / diameter / filter size, The AF is very good on the Sigma and the Tamron , less on the Samyang, D’un point de vue spécifications, le Sigma est le plus cher malgré sa plus faible ouverture, c’est le plus lourd aussi (de peu). But opting out of some of these cookies may affect your browsing experience. For more Minolta lenses check out my Minolta list. I own this lens and use for Pro work as a Landscape shooter. NiSi, a popular company known for its ND and UV filters has now started making standard lenses. Thanks for your Great optical insight for the A7 Series of cameras. All in all this is a very good lens which outperforms many much more expensive modern zoom lenses. Minolta made three different 3.5/35-70 lenses. Axial chromatic aberrations (“bokeh fringing”)  can be visible at f/3.5, At 35mm there is a moderate amount of barrel distortion. I loaned out my 50 1.4 to my nephew to play with for video on his canon 70d for video. It will be interesting to find out how it compares to the Voigtlander 15mm f/4.5 III. 84 % Sigma 35mm F2 DG DN field review. How would you compare the Contax Zeiss zooms to the Minolta zooms, is the IQ and rendering much better with the zeiss? Hallo Phillip, can i use this lens with A-6000 ? The Nikon is a totally different lens. I have the LEICA VARIO-ELMAR-R 1:4.5/35-70 mm and I’m not sure if its exactly the same quality than the Minolta 1. The MD III version also has more neutral colors. The aperture ring is made from plastics and clicks quite nicely. Fujifilm GF 30mm F3.5 R WR. Diffraction start yes around F8, F5.6 is in general the optimum. I wouldn’t really know the benefit of a lens profile for landscape photography. Anyone else ever done this compare? All photos , taken with Sony A7RIV and without post processing are available in full size (61Mpix) in the following Flickr album suivant : Magnetic lens cap and standard lens cap included, The lens is equipped with a click only aperture ring that can also be switched to A= Auto mode to be controlled by the body. You will sacrifice some the ability to blur backgrounds though. Now I try to found a good lens < 70mm. Yes you can, use thois adapter: http://amzn.to/2acDJvt (affiliate link). Hi, how do this lens compare with full frame kit lens Sony 28-70mm, f/3.5-5.6 OSS in terms of Sharpness, CA, Contrast etc? f/3.5:The lens is sharp across the frame with only a little corner softening. Let’s take a closer look at these lenses for Sony F5, F55, and F3 users! At 365g it is also about 100g heavier. Thanks a lot. Could I translate the “The Minolta list ” and “the manual lenses in general this beginners guide for a7 users” later? f/3.5:A little weaker than at 50mm: Contrast is lower and sharpness is okay. Thanks for your review of the Minolta 35-70 3.5 lens. The later would be a little more versatile. “substance” means any natural or artificial substance [F3 (including micro‐organisims)], whether in solid or liquid form or in the form of a gas or vapour; . I really appreciate your reviews. But the lens also has a macro mode. Hi Phillip, long time reader of your website. And I already delete the text original from your blog, and replace the post into only some brief introduction and the specifications. 2 days ago sergr. I think it is a bit sharper in the corners and CA a bit lower. Do you have any experience with or recommendations for Canon FD zooms in this focal length range, or thereabouts? The 3.5/35-70 is a medium sized lens. Happy holidays, and thank you for an informative and enjoyable blog. The link on the full resolution pic takes us to your 50/f2 not this zoom Btw. Which Lenses to maximise the potential of the Sony A7RIV? I’d like to use it on a Sony A6000. I think that is rude. The zoom ring and the aperture ring feel a little cheap. Un porte capuchon (CH-11) est aussi prévu à partir de début 2021, La finition est exemplaire et le capuchon très pratique au quotidien mais avec un défaut très important: il n’est pas compatible avec le pare soleil. Le Sigma 24mm F3.5 DG DN fait partie d’une nouvelle ligne d’optique chez Sigma la Série I qui a pour but d’offre un très haut niveau de qualité dans un format compact. En particulier je n’ai jamais vu de pare soleil de cette qualité. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Thanks for helping me find my new favourite lens. Pre-order at Adorama @BastianK at phillipreeve.net review These results are based on the use with a Sony Alpha 7. I think when in body imager correction are turned on on the body it embedded it in the raw. In the 40-70mm range this lens can compete with very good primes and it beat my $1000 Sony 4/24-70 in the corners. It takes 72mm filters and is equipped with 10 straight blades for well defined sunstars!
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