In this opening cut, big sloppy washes of distorted guitar crashes over a rigid drum machine, as Roland Gift lifts it to the sky with his helium falsetto. Who can resist? His records were as much comedy albums and demonstrations of sampling as pretentious works of art, which made them even greater works of art. As much of a dance-floor killer as it is, "Beat It" is a genuinely heavy song, psychologically as much as sonically. It would be easy to be consumed by envy if we weren't all being lulled into a dopey, two-stepping, love-drunk stupor. The message was clear: Turner’s career still had fabulous legs. While the rest of alt.rock looked to the dark side, Bjork and co. were celebratory, sexy (Lifeâs Too Good?!) 38. Sade is just so damned smooth. Toward the tail end of the era, a new type of band began to emerge. Submit a playlist . And it only gets more intense from there, building a manifesto of what to take swigs at, including this gem: “Elvis was a hero to most / But he never meant shit to me / You see, straight-up racist that sucker was / Simple and plain / Mother fuck him and John Wayne / 'Cause I'm black and I'm proud.” And that’s the truth, Ruth. Facebook Twitter. Before Vanilla Ice famously ripped off, er, was inspired by the work of Queen bassist John Deacon, that subtle, infectious plucking heralded the meeting of two wildly influential rock icons. We’ve assembled a list of the best karaoke songs ever, from raucous party songs you can sing while tipsy to tender love songs for serenading your boo. Negative Creep was a new punk classic - and actually quite funny until you realised he really meant all that “Iâm a negative creep when Iâm stoned” stuff.View Deal. As bands, they often sounded nothing like each other. Richie attempted to find some suitable foreign phrases but got impatient and invented his own international party language. Always a party starter and roof-igniting karaoke jam, the song become a bittersweet rallying cry in the years since her death. This song represents the apex of scream-along arena-scale pop-rock. In 1984, Tina Turner was 44 years old and on the comeback trail. Such was the threat implicit in these otherwise sweet pop songs that, on tour, playing 45 minute sets with their backs to the audience, the Mary Chain provoked riots throughout Britain. The meme known as Rickrolling—wherein someone baits you with an enticing link, which points instead to the video for this 1987 dance-pop smash—always seemed a little puzzling to us, mainly because, like, who wouldn't want to be surprised with another exposure to this suavely buoyant megajam? The lyrics pour out in a nervy jumble of apocalyptic imagery, military danger and mass-media frenzy, with pointed name-drops of pop-culture figures (Lenny Bruce, Leonid Brezhnev, Leonard Bernstein and Lester Bangs) united only by their initials. With a no-nonsense attitude and some killer dance moves (the video was choreographed by Paula Abdul), Jackson established herself as one of R&B's leading innovators and a woman who wasn't afraid to demand what she deserved. A song of burning jealousy, or something much sweeter? This list contains the most popular alternative songs of the '80s, as voted on by rock music lovers from around the world. But it's a sweet thought. The perma-coifed Commodores frontman's 1983 single smashes any attempts to resist its groove. This 1985 hit by Tears for Fears is one such song, an existential meditation of sorts, opening with the line, “Welcome to your life—there’s no turning back.” It’s a serious pop song, as bassist-singer Curt Smith remarked: “It's about everybody wanting power, about warfare and the misery it causes.”. A New Order single is like if architecture was flush with hormones. They were happy being indie kids, but their charts were full of all these interlopers – manufactured pop stars who just happened to be on an âindieâ label. Oh, and there's also the little matter of the greatest drum fill in pop history at the 3:40 mark. 80s pop U2 Simple Minds David Bowie I was in tears, because my mum and dad were in the studio too, and it was emotional." Live, they were a riot and this debut caught some of that verve in the bouncing Birthday, the mad Deus and the wise Fucking In Pain And Sorrow (lyric: âYou should take the pain and sorrow and turn it into power/Lifeâs both sweet and sourâ).View Deal, No-one spotted it, of course. Share on Twitter. So there's that. A sleeper hit for the English heavy-metal band in 1987 (it didn't get much play until the band recorded a promo clip for its North American release), “Pour Some Sugar on Me” is among the group’s finest efforts. What was lost in all of this mystery was an artistâs struggle. Your typical cardigan-wearing Smiths fan would walk into their student unionâs Nelson Mandela bar, quickly sign a petition pledging solidarity with the Sandanistas, before flopping on a sofa with the NME to read this monthâs indie chart – only to discover that Inspiral Carpets had been kept off the number one spot by Rick fucking Astley! Writer-singer Bryan Ferry’s falsetto during the verse draws you in, his romantic mantra of a chorus absolutely floors you, and the whole thing is shrouded in a plaintive, synthy, beautiful glow. Four pummelling minutes later, all of your preconceptions were shattered – and so were your ear drums. And it's not just Eddie Van Halen's famous finger-busting solo; it's that perfectly formed sneer of a guitar riff—conceived by Jackson and played by session ace Steve Lukather—those exaggered downbeats that feel like medicine balls being slammed down on a concrete floor and the raw desperation in MJ's voice as he chronicles the harsh truths of the street-fighting life. Even that sampling by MC Hammer can't diminish its greatness. The hip name to drop in 1988, The House Of Loveâs self-titled debut for Creation included stunning indie hits such as âChristineâ. “That’s great, it starts with an earthquake,” begins Michael Stipe—and the rumbling and rambling get crazier from there in R.E.M.’s ironic beat poem. Those unforgettable snare snaps comes courtesy of producer Steve Albini, and it’s one of the many touches the band’s most popular song (one that wasn’t even released as a single in ’88) has going for it: Among the many others, there’s Kim Deal’s haunting, reverb drenched backing vocals that so many indie-rock groups would go on to ape, a cracked-voiced Black Francis spitting out cryptic-cool lyrics, and deceptively simple lead guitar and bass combo that still gives us goosebumps. These are the UK Official Indie Chart number-one hits of the 1980s, as compiled by MRIB. Listen to 100 Classic Indie Rock Songs now. Mao Tse Tung Said (Alabama 3 - one of the first songs I 'downloaded' from that 'Internet') Brimful of Asha Karma Police (as well as Paranoid Android) I think I'm in love (Spiritualized) Ice hockey hair (SFA) and, surely irrefutably, Dry the Rain (Beta Band ⦠Debaser, Here Comes Your Man and Monkeyâs Gone To Heaven filled indie disco dance floors for years to come while I Bleed and La La Love You were like pop songs written by Charles Manson.View Deal, Quite possibly the ultimate alt-rock band, Janeâs married a love of Led Zeppelinâs raunch with a feel for the soundscapes and textures of bands like The Cure and Bauhaus. But that doesnât mean the songs are any less deserving of a spot on the list. Itâs pretty much been that way ever since. You'd think that Mike Tyson air-drumming to Phil Collins's 1981 signature hit in The Hangover would've somehow sapped "In the Air Tonight" of its eerie potency. Now that “I’ll Be Missing You” is nearly two decades old (gulp), that steady, ceramic, arpeggiated riff is again property of the Police. 1 on the UK Indie Chart back in the day, itâs no surprise itâs been ⦠View Deal, If at first Stone Roses didnât seem too distinct in an age that saw a multitude of indie rockers obsessed with the nailing the perfect Byrdsian pop song, one listen to closing epic I Am The Resurrection made you release that the Roses were a cut above, while She Bangs The Drums and Waterfall were pop classics. Lou Reed - Satellite Of Love. Surprise Me. And to this day, we’re betting the fanbase for the breezy sing-along fave (co-written by Jeff Lynne) still runs the gamut—from get-me-out-of-here teens to the dads they think are lame, and from snobs who wouldn’t be caught dead doing karaoke to people who live for it. On Green you could actually hear what Michael Stipe was singing about (if not actually understand it) while the music was hookier, ballsier and less countrified than ever before. And to this day, we’re betting the fanbase for the breezy sing-along fave (co-written by Jeff Lynne) still runs the gamut—from get-me-out-of-here teens to the dads they think are lame, and from snobs who wouldn’t be caught dead doing karaoke to people who live for it. Apparently the aforementioned crotch moves, hot model and fast car weren't enough to assert his manhood. But you could still smash faces at the roller rink to it. View Deal, The Smithsâ best studio may be The Queen Is Dead, but this collection of singles and radio sessions is their most essential release. On "Push It," all-gal Queens hip-hop trio Salt-N-Pepa made pop magic via a seemingly simple combination of Casio beats; a few big, dumb keyboard stabs; and a lot of impassioned, steamy cries of "Ooh, baby baby.". Morrisseyâs miserablism and Johnny Marrâs amazing guitar playing nowadays seem as essentially 80s as flying pickets and the Falklands, but at the time they were a true oddity: genuinely original, consistently brilliant, and with an outrageous frontman. The trio, a splinter from the English Beat, had its roots in ska, but over two albums chiseled a new pop sound that would echo onward from Massive Attack to TV on the Radio. View Deal Janeâs Addiction - Nothingâs Shocking (WEA, 1988) The cliche is that Morrissey is miserable, but these songs are full of wit and celebratory guitar playing. View Deal, Like the indie and alternative scene they were so much a part of, REM seemed to get more and more accessible with every record. American-based music fan Aroon Korvna meticulously compiled a mammoth playlist covering the whole â90s decade. Choose from more than 15 stations of eighties music radio with unlimited skips. “Running Up That Hill” was so huge because it was her most digestible—though still weird, with its galloping drums and a Fairlight synthesizer hook that sounds like pan pipes from deep space. View Deal, Dinosaur Jr have a compilation album entitled Ear Bleeding Country and thatâs the best description youâre gonna get of their pre-grunge, um, grunge. The Nigerian-born, U.K.-raised singer-songwriter is in top form on this hit single from her multi-platinum-selling second album, Promise. As critics continued to peg rap as a passing novelty, this big, lisping teddy bear from Long Island thumbed his nose at such stuck-up stupidity. Naturally, there was a certain amount of leakage between the two—which is why 1985’s “Close to Me” is a strong contender for the band’s best song, with its yearning lyrics matched by ultra perky brass riffs (inspired by a New Orleans funeral march, obvs). dynamic from, but the truth is that the bandâs second album shouldâve been bigger than Nevermind. Time Out is a registered trademark of Time Out America LLC. Lite Hits. The Replacements â âAndrogynousâ It might seem strange that one of the best songs on the Replacementsâ tremendous Let It Be is a spare piano ballad, but âAndrogynousâ is a masterwork and an ode to gender-bending romance decades ahead of its time in the largely trans- and homophobic 1980s. Having finally split from her abusive husband and artistic Svengali, Ike, she’d spent years in a limbo of cameos, Vegas shows and dud solo albums. Bands like Nirvana and R.E.M. 90's. There was a problem. Ride - Ride EP. Singer Ian Brown was their only weak link – and heâs the only one who went on to have solo success. Please refresh the page and try again. Though it proved a surprise commercial hit for David Byrne's new-wave art-pop experimentalists, it's easy to forget just how deliciously weird this song sounded back in 1981. There were plenty: Love Buzz, About A Girl, Blew – all laid down the blueprint for Nevermind. Visit our corporate site. All rights reserved. The Boss pinched the title of an old crooners’ standard to write his own classic, the finest single from his massive Born in the USA album in 1984. The best pop songs of all time are as varied and attention-grabbing as the artists who sing them. As the 1970s turned in the 1980s, punks and rockers (and there was a difference then) both became enamored with the sounds coming out of New York City. This 1981 platinum-certified single is essentially Australia's unofficial national anthem, incorporating country pride, lots of local slang ("fried-out Kombi," "head full of zombie") and even the tune of a popular Aussie children's song, "Kookaburra," for the flute part. This final single—or the last that matters, anyway—was a dry run for Mick Jones’s sampling-loving crew Big Audio Dynamite, a bit of Isley Brothers meets a Bronx boom box. Literally short for âindependentâ, the âindie chartsâ would be topped by the Jesus And Mary Chain one week (then signed to fledgling indie label Creation) and Kylie Minogue the week after (she was on the rather more established indie label PWL). Listen to and download 80s synth Songs songs. 673 Plays 80s Indie Classics. Don’t let Puff Daddy ruin this for you. Robert Smith’s un-merry men spent roughly half of the ’80s making desperately sad goth rock, and the other half writing some of the best pop songs of all time. Legendary rock, landmark soul, pop and even country, all of which made 1971 a magical musical year ... Classic '70s & '80s Indie, Punk, Garage, Psych, Post-Punk, and No Wave. Thirsty for more essentials to go with this definitive ’80s music list? RECOMMENDED: The best ’90s songs The best party songs ever made The best classic rock songs The best karaoke songs The best pop songs of all time. You could be forgiven for thinking Janet Jackson appeared as a fully-formed superstar, but in actuality her first two albums were met with mixed reviews and achieved only modest success. Too many people mock the ‘80s as an age of excess, yet loads of classic singles from the era are studies in cool restraint (see: Phil Collins—no, honestly). If you were born between the late 1970s and early 1980s and your music listening culture rooted in the genres of alternative of indie music, then what follows might sound familiar and unexpectedly enjoyable. Songs like How Soon Is Now, and William, It Was Really Nothing make for a very English album to stand alongside the likes of The Kinks and The Who. Nobody writes grandiose heartbreak like Jim Steinman, and he’s never done it better than in this smash 1983 epic ballad for the raspy-voiced Welsh belter Bonnie Tyler. As a cocksure teenager, Prince passed on four major-label record deals, demanding artistic autonomy until Warner Bros. granted it. If ever there was a time for an enormous chorus, it was the ’80s—and this 1984 smash from Foreigner offers an example of this that's at once gleaming, gorgeous and gut-wrenching. They didnât put it on this, their second album, but it was cut from the same cloth: music that was trippy, sexy, scary. 93. Featuring bands like Primal Scream (in their earliest and feyest incarnation), Shop Assistants, the Wedding Present, Weather Prophets etc, C86 began to define what âindieâ meant: jingle-jangly guitars, sensitive lyrics, floppy fringes, and an anti-rock aesthetic that expunged riffs, solos and macho posturing in favour of handkerchief-wringing sensitivity. Bassist Eric Avery was stylish and distinctive; drummer Perkins was a powerhouse; Dave Navarro could blaze as well as any EVH wannabe, but avoided cliche; Perry Farrellâs distinct voice and amazing lyrics defined them completely. Listen out for "drifter" in the chorus, which replaced an earlier recording using the word "hobo," after lead singer David Coverdale worried that it sounded too much like "homo." ... Indie. And although "Under the Milky Way" receives the lion's share of attention from mainstream music fans, the band's catalog has far more to offer than gentle, chiming pop. But before all that, he managed to lay down some of the decade’s best tracks, including this nihilistic, Nile Rodgers–assisted soul boogie from 1983. Where was the petition for that? We get so used to the sleek, funky side of Michael Jackson that it's easy to forget how hard "Beat It" actually legitimately rocks. It’s Heart of Darkness as told from the tanning deck of a luxury yacht. The ’80s were not a time of subtlety. Rapture. Sounding like they couldnât really be bothered playing you their riffy stoner rock, the Dinos long-haired anti-glamour had huge appeal in the days of âfake hair metalâ and bands who looked like they were trying too damn hard to please everyone. Sign up below to get the latest from Louder, plus exclusive special offers, direct to your inbox! âAlternativeâ was a more accurate title than âindieâ: not only did it mean that not all bands had to be on an independent label, but it acknowledged the contrary nature of the alt-rocker. Like we said, the ’80s in a nutshell. If you enjoyed listening to this one, maybe you will like: 1. Serving up a heady—occasionally otherworldly—mixture of Afrobeat, funk, pop, rock, disco and psychedelia, the chorus of this existential anthem is huge enough to have stuck around for more than three decades. Play on Spotify. (who, no disrespect, doesn’t seem like the most scrutinizing music listener). Oh, that ill-fated bassline. The steamy track is decidedly more ’80s, with a drum-machine propulsion, busy guitars and a pleasing base of synths. Fine Young Cannibals were so much weirder and cooler than you remember. BA1 1UA. It’s just that they spent a butt-ton of money on everything. You can practically hear 23-year-old smiling through the chorus, urging every last wallflower on to the dance floor. Roxy Music’s most played song on Spotify by a country mile (the runner up, “Avalon,” draws about half the audience) didn’t even crack, Has a drum introduction ever sounded this. An explosive mix of pop hooks, deranged lyrics, surf guitar, murderous country music and a whole load of screaming, Doolittle was still accessible and infectious enough to make it more than some art piece. Date first reached number one Song Artist Label Duration; 19 January "Where's Captain Kirk?" K-Pop (Korean) Latino. This Is Music: 1971. 126. It is. Name-dropping Black Sabbath, Discharge, and with a vocal that owed a lot to Neil Young, Dinosaur Jr were a disfunctional three piece headed up by a slacker called J Mascis. This is a list of notable indie pop artists. Best Covers . The unspoken truth was that indie/alternative fans liked anything, as long as nobody else liked it. 1980. We'll still pass on that Vegemite sandwich, though, thanks. Déjà vu! It would be the pinnacle of his career. The video found her strutting around New York City in a jean jacket, leather miniskirt and feather-duster hair—a bruised but defiantly happy paragon of independence.
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