The Zeiss Super Speeds have been around for decades and are a popular choice for productions with their small bodies, lightweight design, and super fast T1.3 apertures. You can customize your own lens set with needed types of mount like m4/3, EF, PL and sony E. You can also choose lens focal length, body-color, and modifications. Their mission? Some lenses can get warped out of shape or even get broken focus rings. If you take a look at the Iron Glass online store, you’ll see that any lens they have on that page can be customised according to your needs. Today PrimeCircle announced the making of a “Silver Series” especially crafted for the Blackmagic Production Camera. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_8',147,'0','0'])); Vantage, the German-based company, has been making these stellar modern anamorphic lenses since 2001. eval(ez_write_tag([[250,250],'4kshooters_net-large-mobile-banner-1','ezslot_7',148,'0','0']));Specifically designed to have no shift in T-stop while focusing, these 8 anamorphic focal lengths are lightweight and consistent with increased definition, increased contrast, and feature an accurate, nicely spaced focus scale which makes then very easy to work with on set. In Depth Cine gave us this fantastic overview of the top pro cinema lenses in use today with a bit of their history and an explanation of why they’re so sought after. Meet the Angenieux 18.5mm Type R2, Angenieux's first 35mm cinema lens, introduced in 1951, and predating Cooke's 18mm by two years. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. They offer great ergonomics with a smooth focus pull, 114mm Front Diameter, and well-spaced distance markings. Compatible with a full-frame image sensors, the FF Zoom Line offers the outstanding optical performance required for high-resolution shooting in 6K-8K. Created in the late 1990s, the Cooke S4 lenses are widely used in Hollywood films, and feature that classic hexagon (stop sign) bokeh that we all know so well. These lenses are professional, standardized tools that have specific purposes in their construction, deliver consistent looks, and offer the best ergonomics for getting the job done the right way. Photo lenses aren’t made for Filmmaking, but with a couple of 'simple' changes, these guys will turn a still lens, into a cine lens with focus rings built for focus pulling. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions. eval(ez_write_tag([[336,280],'4kshooters_net-box-3','ezslot_5',143,'0','0']));Cinema lenses from companies like Zeiss, Panavision, and Cooke don’t get as much attention online as the affordable stills and modified/rehoused cinema glass that many of us use from companies like Rokinon-Xeen, or Meike. Those lenses are rehoused version of their photo twins. This lens is ideal for the latest digital cine cameras. The standards that have been developed over the years and have guided the training of the world’s greatest operators and assistants. The Zeiss CP2s are, after all, rehoused Zeiss ZF still lenses for three times the price, and while there's a rumor that CP2 Mark II lenses are on their way, in the meantime one of the best budget options is Duclos Lenses' Cine-Mod. Maintaining sharpness cross the frame, these lenses have absolutely no focus breathing or aberrations. Your composition will remain the same when changing the focus. Modern Cinema Lenses. They’re designed to be as sharp as possible, and easy for assistants to work with thanks to their consistency across the range. The new housing provides Cam Drive focus systems and enhanced Iris options. Modification of cine lenses, meaning taking an old lens and getting it through the rehousing process in order to bring it up to nowadays standards.2. Cinematic sound effects are what makes the world spin — of course, dramatically put. Please note, comments must be approved before they are published, Rehoused Soviet Vintage Lenses Built For Cinema. Cinema lenses from companies like Zeiss, Panavision, and Cooke don’t get as much attention online as the affordable stills and modified/rehoused cinema glass that many of us use from companies like Rokinon-Xeen, or Meike. eval(ez_write_tag([[250,250],'4kshooters_net-box-4','ezslot_6',144,'0','0'])); They comes in a standard set of 18mm, 25mm, 35mm, 50mm, 85mm with all of the lenses featuring a 80mm front diameter for super fast lenses changes; however, they’re not without their flaws. The aperture ring is now click-less for smooth iris control. Change it's mount, body-color, and add the type of modification you want. When using wider focal lengths there is a significant amount of distortion, but even with that bending, the look it produces is very cool. But it is full of glass, super heavy, can’t be used handheld, and isn’t suitable to smaller bodied cameras. The best way to understand the differences between the three types of lenses is to get to grips with them. Unlike rehoused cinema zoom lenses in the market with serious focus breathing, our lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. Still rehoused lenses often suffer from having a majority of its focus range compressed into a 1/8th of a turn. Besides, they can also add a lot of modifications, such as the anamorphic addition and more aperture blades. This P+S rehousing transforms full frame Leica-R still photography lenses into fully functional cine lenses. Lenses can get broken too, especially if it has been dropped and damaged. Animated animations have become a very useful part of an editor's effects library. Designed in conjunction with DPs inspired by old Hasselblad lenses with the ability to cover large format digital sensors like the sensor in the Arri 65, these very fast lenses were released in 2016 with stops ranging from T1.6 to T2.8. The 35mm T2.1 consists of 14 Elements in 9 Groups. However, we managed to gather up some of the best from... For the coolest videos, you need to best whoosh and transition sound effects. Many budget lenses mark somewhere … There is a slight Distortion in wider focal lengths like 24mm but this lens features a versatile zoom range, solid build quality, and consistent optical design that makes it a favorite in Hollywood. The best part is that the lens won’t lose its quality, but it may even be improved. Check out our lens test video here . The composition will remain the same when … You can find much cheaper solution at IronGlass. These lenses are smaller than modern cinema glass, and often don’t cover bigger digital sensors. Get Instant Access! by Tim Fok November 4 th, 2019. The Cine-Mod is a modification to the Zeiss ZF still lenses, which is exactly what these new CineMatics are. It’s a good single lens for productions wanting to save money, and make reframing shots a breeze. Some vintage lenses can get old and weak. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. It’s not something you can avoid and if you need flawless footage, you may need to either change the lens completely or send it to these guys to get it cleaned and running. The main drawback of these lenses is the they pre-date the use of clip on matte boxes and all of the front diameters differ in size, meaning each lens changes requires a new clamp which drastically slows down lens changes. If it’s too expensive to buy another one, these guys can easily fix it, and you’ll have a better lens when it’s done. You can make any... Finding the perfect premiere pro transitions is a hard job, and good free transitions are even harder to find. They feature a high contrast, which is good for modern digital sensors, and reduced flares. Lenses are one of those safe bets thanks to the practice of rehousing optics which have been around for decades. Produced by Cooke since 1920 in England, these spherical 7 prime lenses revolutionized the industry with their T/2 aperture – in a time when lenses were far slower. K35s are great for handheld, gimbal, or drone work and cover a full frame sensor with a sharp and lower contrast projection. Laowa 7.5mm T2.1 Cine Rehoused photo lens: Click-less and enhanced build. Rehousing is when you take a still photography lens (or any particular lens, can be a projection lens or a particular old cine lens), and you use the glass of it in a Cine Lens housing. This time, we’re talking about a lens rehousing company, called Iron Glass. Mission: Our main goal with was to bring out the best in this lens but addressing the mechanical quirks and limitations of the … A rehoused cinema lens is a photo lens that’s been rebuilt and optimized for use with video cameras, but the inner workings of the lens itself are largely the same. Well, there are many reasons why you may want to rehouse a lens. 6708 NE 181st St. PO Box 82467 Kenmore, WA 98028 1-888-485-7447 sales@kcamera.com The True Lens Services rehousing is the most preferred as it offers a user-friendly, standardized, smooth focus motion. Don't you think it's pretty cool customising your own lenses? Old Fast Glass is a Los Angeles based camera rental house. Well, there are many reasons why you may want to rehouse a lens. We have opened up part of our Bounce Color library for all editors to improve their films. Making vintage more reliable and accessible in today’s industry.Instead of the classic and unreliable features, these guys completely changed everything. Helios 44-2 58mm F2 is a legendary lens, but it just got even better! The Canon K35 are very similar to super speeds with a compact, lightweight body, and a consistent T/1.4 aperture. When the DP is looking to counteract the distortion of film or for capturing the maximum clarity with a digital sensor, this is where they turn. Most Popular Cine Lenses – the Ultimate Overview, How to Export 4K Video for YouTube in Premiere Pro CC, Sony ZV-1’s Latest Firmware v2.0 Enables Live Streaming via USB, More In-Depth Look at the Recently Added C-Log Gamma Profile on the Canon 5D Mark IV, Free Seamless Transitions Pack for Resolve 17, Dirt Cheap Bluetooth Focus Remote Controller for the Pocket 6K Pro, Atomos to Enable Ninja V ProRes RAW Recording for the Sony FX3. Hard end stops protecting focus and iris mechanics. Unlike rehoused cinema zoom lenses in the market with serious focus breathing, this lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. Focus scale remains accurate throughout the zoom range. MIR-1V. The 44-2 has become a very popular lens in the vintage market, known for it’s swirly-bokeh backgrounds. This lens simulates the look of the first Petzval lens from 1840, yet updated with modern cine-housings by TLS. To put it simply, lens rehousing is either modifying an old cine lens to meet new standards or adapting a still lens for cinema use. According to MEIKE, this is a purpose-built cine design and not a rehoused stills lens. The customer can sell the existing glass for market value and have the price discounted with a brand new set of lenses supplied. For this, they offer two options. They were never intended for you to purchase, and you probably wouldn’t make your money back in your investment. They’re very modern and easy to work with on set, and for VFX work they feature the ability to relay focal length and focus distance information. Iron Glass are doing wonders in the world of lenses and cinema. Super high-speed Canon FD lenses for Full Frame. Perhaps the most famous Leica R rehouse project was known as the "Dalsa Cinema Primes," focal lengths of the Dalsa primes ranged from 19mm to 180mm, and only 11 complete sets were ever built. From time to time, something incredible catches our eye. Your composition will remain the same when changing the focus. A true cinema lens is purpose-built for video. As I have already mentioned, the 35mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. The Cine Helios 44-2 VLFV is a new lens from Iron Glass that rehouses the cult classic 58mm Helios swirly-bokeh vintage lens. The lens also has 11 aperture blades. They were really great looking lenses, sharp, interesting renderings, great color matching, great close focus, optically sound (they projected really flat with little distortion in the wider lenses) and very little if any breathing. Optical Structure. The extending front barrel means that only clip-on matte boxes will work, and if they’re clipped on too tightly it might prevent the lens from focusing. Leica R rehoused lenses can sometime vary widely in quality, and over the past decades no fewer than 5 companies have rehoused Leica R lenses. We offer high-end cinema cameras, cinema lenses, and a huge selection of professional camera accessories. Is it actually a cine lens or just a rehoused stills lens? Helios is a lens brand from the Soviet Union era, affectionately naming all their lenses with a simple model number. Panavision C-Serieseval(ez_write_tag([[250,250],'4kshooters_net-banner-1','ezslot_0',145,'0','0'])); Originally released in 1968, the Panavision C-Series is an anamorphic set of lenses that are a favorite among DPs looking for a classic film look. 4. Both the aperture and focus rings have been built with industry-standard 0.8 mod pitch gears for pairing up with follow-focus motors. That’s because high-end cinema glass, with price tags higher than most houses, aren’t intended to be purchased by individual camera operators. This new series is slightly different from the existing APS-C coverage lenses they already make. You wouldn't want it to fall apart while on a professional shoot. If you’re currently filming with DSLR lenses or affordable glass, don’t go thinking you’ve got to sell your car to pick up ONE of these. 1. From time to time, something incredible catches our eye. Their subtle sharp, low contrast, milky characteristics with neutral cool color rendition and flares that fill the lenses up with color make them the perfect choice for DPs looking for a lens to form the basis of the color pallet of their films. No Breathing? Instead, they’re intended to be rented through rental houses that maintain them for decades. CHOOSE ANY 4 PRODUCTS AND ONLY PAY FOR 2 - AUTOMATIC DISCOUNT. PrimeCircle is an italian company that rehouses Zeiss photo lenses to make them more cinema capable at a price lower than real cinema lenses. We even try to help all our Cinescope customers by possible glass trade ins. Equipped with a standard PL mount, also interchangeable mounts are available. While not as well spaced as the Angeniuex 24-290, the longer Sigmas at least give you a 150′ mark. It's a practical way to breathe new life into a lens that's been sitting on the shelf. The new housing includes new internal mechanics for focus and iris and standard PL mount. The surprise lenses were the Cine-Xenar III. A wide prime that complements an original Baltar set, it became Orson Welles' favorite lens and was used, almost exclusively, on "Touch of Evil." All stated, it is very sharp, but not nearly has sharp as modern primes. They were really pretty. From follow focus gears, PL and EF mounts and expanded focus distance markings, both metric and imperial.As buying new lenses can be incredibly expensive, especially when we’re talking about quality cine lenses, these guys made a business out of rehousing the lenses for filmmakers, making them a lot more reliable, and even improving the quality. Welcome the new Helios 44-2 VLFV Cine Edition, proficiently rehoused by IronGlass! I do!You can get one lens, or choose a set made after your preferences. (Watch our in-depth video story on their project which we shot at NAB last year). We also stock one of the largest selection of vintage cinema primes. The P+S rehousing transforms full frame Canon FD stills lenses into fully functional cine lenses. + Petzval 58mm T2.1 PL TLS-Rehoused After using a lens for many years, you may notice a lot of small dust particles in the wrong places.
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